The French artist, actor, photographer and performer Emmanuel Barrouyer addresses these contemporary issues of gender and identity, in his work. He most often uses himself in various staged self portraits, where it appears as if he is himself, but the ambiguity of self and identity are always close by, so that portraits of Emmanuel are often not portraits at all.
Emmanuel’s artwork dealing with gender and identity started off in 2013 when he began to impersonate female friends, as in the pieces As Julie, and Boy’s Legs. This gave him the impetus to start exploring who we are, and more importantly, who others see us as. How do others identify us? Is it real, or is it delusional. Does it help liberate us, or does it increasingly imprison us?